Dating wheatstone concertina

The earliest ledgers from the Wayne Archives contain company sales records from the late 1830s to the 1860s (though with some large gaps) along with production records from the 1860s to the 1890s and some early records of wages and other payments.

are held at the Library of the Horniman Museum in London.

Wheatstone & Co., generously loaned five more ledgers to the Horniman Museum, covering the output of the factory for the years 1910 to 1974.

These 17 notebooks chronicle aspects of the production and sales of concertinas by the Wheatstone factory from 1834 to 1974 — albeit with some gaps.

The collection comprised over six hundred free reed instruments, together with an archive that included concertina music, recordings and postcards of famous concertina players. They were saved from destruction by Henry Minting, one of the managers of the company.

The Horniman Museum was established as a public museum in 1901, when it was given to the London County Council as representing ‘the people of London’.Each index provides direct access for browsing all the pages of a volume.Click on the four documents below to learn more about Wheatstone Concertina Ledgers: The nineteenth-century ledgers were formerly part of the Concertina Museum collection assembled by Neil Wayne, which was purchased for the Horniman Museum with the generous support of the Heritage Lottery Fund and the MGC/Science Museum PRISM Fund. The principle of increasing public access to museum collections is not only endorsed but highlighted as an imperative by funding bodies and professional organisations, such as the UK’s Museums Association, which has a stated aim to ensure that ‘more people have more opportunities to engage with museum collections’. concertina factory ledgers has demonstrated one way of realising these aims at minimal cost.The Horniman Museum is committed to providing learning opportunities to the community at large, and is specifically committed to broadening its service to members of the community who do not normally access cultural institutions.